Abraham Lincoln – Vampire Hunter?

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Seth Grahame-Smith

Seth Grahame-Smith

Abraham Lincoln a vampire hunter? This may well be the most unusual book I’ll review on Wig-Wags. The good folks at Grand Central Publishing recently sent me an advance review copy of  New York Times best selling author Seth Grahame-Smith’s new book, Abraham Lincoln Vampire Hunter. I’ll put it into a genre of historical/fantasy/horror.

The story puts lost journals of Abraham Lincoln into the hands of an undiscovered writer. I have to say that I intended to just peruse the book a bit before this initial posting. Forty pages later, I realized I should probably put it down and get back to that paper I was writing. In other words, it is a good read. An added plus is that it has a fair amount of historical fact weaved in.

Now lest you think of dismissing Grahame-Smith’s book, note that the Abraham Lincoln Presidential Library & Museum (March 6, 2010) and the Smithsonian (March 9, 2010) will host author appearances, the latter a panel. What’s compelling is that Grahame-Smith may reach new readers and there is some real history amidst the fantasy.

According to the Library’s press release, “Abraham Lincoln was a fan of macabre literature, particularly stories and poems written by Edgar Allan Poe, and had committed Poe’s The Raven to memory.  Lincoln dabbled in poetry himself, and his verse mimicked Poe’s dark themes.”  To explore Lincoln’s poetry, I recommend the National Park Service site, Lincoln’s Notebook and the entry Matthew Gentry featuring a poem about the future President tells of a childhood friend gone insane.

Abraham Lincoln Presidential Library & MuseumAccording to the Library’s press release,

Lincoln also wrote an anonymous narrative published in the Whig and the Sangamo Journal in 1846, “Remarkable Case oPride and Prejudice and Zombiesf Arrest For Murder,” about a real murder case where the alleged victim appeared with amnesia in the courtroom just before the defendants, the Trailor brothers, were to be sentenced to death for murder. In the narrative, Lincoln admitted “while it is readily conceived that a writer of novels could bring a story to a more perfect climax, it may well be doubted, whether a stranger affair ever really occurred. Much of the matter remains in mystery to this day.” The ALPLM has the original letter that Lincoln wrote to Joshua Speed on June 19, 1841 describing the incident that he recounted five years later for the Whig.

Listen to a podcast about the book posted at the ALPLM here.

Grahame-Smith is also author of the wildly successful Pride and Prejudice and Zombies.

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Manet and the American Civil War – 1

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A recently received a gift of a book that I am thrilled to add to my library. It is, Manet and the American Civil War published by The Metropolitan Museum of Art, New York [which I had the opportunity to visit for the first time this year], and Yale University Press. It is co-authored by Juliet Wilson-Bareau, “an independent art historian based in London” and David C. Degener, an independent researcher based in San Francisco.

The Battle of U.S.S Kearsarge and C.S.S. Alabama

Click on image to be directed to my bookshelf listing.

 Manet and the American Civil War

  • Published on: 2003-06-10
  • Publisher: The Metropolitan Museum of Art, New York and Yale University Press, New Haven and London
  • ISBN: 0-300-09962-2 
  • Binding: Paperback
  • 86 pages
  • The book’s primary focus is the battle of the U.S.S. Kearsarge and C.S.S. Alabama. This from the front flap which provides an eloquent introduction to the book which I could not better….

    “On June 19, 1864, the United States warship Kearsarge sank the Confederate raider Alabama off the coast of Cherbourg, France, in one of the most celebrated naval engagements of the American Civil War. The battle was widely reported in the illustrated press and riveted public attention on both sides of the Channel. When Kearsarge later anchored off the French resort town of Boulonge-sur-Mer it was thronged by curious visitors, one of whom was the artist Edouard Manet.  Although he did not witness the historic battle, Manet made a painting of it partly as an attempt to regain the respect of his colleagues after being ridiculed for his works in the 1864 Salon. Manet’s picture of the naval engagement and his portrait of the victorious Kearsarge belong to a group of his seascapes of Boulonge whose unorthodox perspective and composition would profoundly influence the course of French paintings.”

    In part 2, more on Edouard Manet followed in subsequent posts about the two ships and their encounter across the Atlantic.

    Note that I have added a shelf to my online library titled “Civil War Art and Artists.” You can access that shelf here. I will shortly cross-reference this book on the Naval History shelf as well.