Fascinated by all that drove public opinion during the nineteenth century, I recently acquired an excellent book: Conrad Wise Chapman: Artist Soldier of the Confederacy (The Kent State University Press, 1998) Author Ben L. Bassham’s biography includes many of the works of both Conrad Wise and his father, artist John Gadsby Chapman.
This book, while an excellent one, is not heavy on the Civil War experience of Conrad Wise Chapman. For that, I recommend Ten Months in the “Orphan Brigade” : Conrad Wise Chapman’s Civil War Memoir (The Kent State University Press, 1999) also brought to readers by Ben L. Basham. Google Books provides a generous glimpse of Bassham’s introduction and the first few pages of Chapman’s narrative which can be viewed here.
Conrad Wise Chapman returned to America from Europe in 1861 where he joined the Confederate cause. He served in the 3rd Kentucky Regiment and was a part of Albert Sidney Johnston’s ruse in the Western Theater to appear to have more strength in numbers than was the reality. Chapman later served as Ordnance Sergeant in the 59th Virginia Regiment after requesting transfer from “The Orphan Brigade” to a unit in his parent’s home state. It was a transfer that probably saved his life given the casualties suffered by the “The Orphan Brigade.” He participated in the defense of Vicksburg.
See more of Conrad Wise Chapman’s work on “the artists” page under here on Wig-wags. The Museum of the Confederacy has an excellent digital image of Chapman’s “The Flag of Sumter Oct. 20 1863” here. A number of Chapman’s paintings can also be seen at Fine Art-China.com here.
Ben L. Bassham, an Emeritus professor of art history at Kent State University, is the author of The Lithographs of Robert Riggs, The Theatrical Photographs of Napoleon Sarony and editor of Memories of an American Impressionist by Abel G. Warshawsky (The Kent State University Press, 1980). He is also an accomplished artist. I perused his online studio here with great admiration.
Continuing from post 1 here, in this post I explore the life of Edouard Manet, the artist. Born in 1832 to upper-middle class parents, Manet’s father was a magistrate who had hopes that his oldest son would follow him in his profession. But young Edouard had no interest in law and though attracted to art, decided to go to sea. But he couldn’t pass the French Navy’s entrance exam. Authors Wilson-Bareau and Degener provide a fascinating glimpse into the system by which young men could qualify for careers in the French Navy in their book Manet and the American Civil War which provides the reference for this series. A sixteen year old Manet would spend several months aboard the vessel, Le Havre et Guadeloupe on a trip for the sons of the wealthy who had failed the exam and could qualify to retake it if they sailed across the equator. The ship was staffed with teachers tasked with drilling the boys in the topics required for the naval exam. Manet failed the test again regardless but was exposed to the sea to a greater extent than most Frenchmen. (Wilson-Bareau and Degener, 12-13)
Manet had another tie to the military. His interest in drawing and art was sparked by an uncle who was “attached to the [Army] artillery school who spent a lot of his time sketching…” (Wilson-Bareau and Degener, 13-14)
“The schoolboy soon fell under the spell of blended lines and blurred cross-hatching. [Note: For a great glimpse of crosshatching, see a post at the blog, Big Time Attic here.) From that moment on, he had only one calling. He neglected his compositions and translations and filled the blank pages of his notebooks not with schoolwork but with portraits, landscapes, and fantasies.” (Ibid)
This diversion would lead Manet to produce arguably one of the most famous paintings of the naval engagement between the U.S.S. Kearsarge and the C.S.S. Alabama, that took place in June of 1864 off France’s Normandy coast.
Juliet Wilson-Bareau with David C. Degener, Manet and the American Civil War, (New York: The Metropolitan Museum of Art, New Haven: Yale University Press, 2003).
In the next post, the ships engaged in the battle.